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--Planet AvP | Articles | Dreaming of Darkness: Allusions in the Alien Movies - Part III
   

Dreaming of Darkness: Allusions in the Alien Movies - Part III

Joseph Conrad and the Alien: Deep-Running Connections

Joseph Conrad was a literary mastermind who would often express his love for ships and sailing throughout his novels. The creators of the Alien films apparently either appreciated Conrad and thought they would look witty by alluding to his works, and/or actually found some inspirations or connections between Conrad’s creations and their own. I prefer the latter, though it is, at best, merely a presupposition.

Here are some quick-facts that summarize what exactly the producers of the Alien films were alluding to in Conrad’s works:

1. In Joseph Conrad’s Nostromo, the name of the main character, an Italian sailor, is Nostromo. This inventive novel explored man's susceptibility and corruptibility. In the story, Nostromo is destroyed by his obsession with reckless adventuring and the pursuit of glory. If you remember correctly, you should know that the iron-ore mining ship from Alien was named the Nostromo.

Picture #1!

2. Also in the novel Nostromo, the primary setting is a town named Sulaco. In Aliens, the Colonial Marines’ ship was called the Sulaco.

Picture #2!

3. In Conrad’s Almayer’s Folly, the primary character is a derelict Dutchman. Oftentimes, the Space Jockey ship that gave off the distress (or warning) signal that attracted the nearby Nostromo to LV-426 is called the “Derelict” spaceship because it is in poor condition.

Picture #3!

4. Joseph Conrad wrote a novel titled The Nigger of the Narcissus, which detailed the events of a black sailor serving on an all-white ship. In Alien, the shuttle that Ripley escapes from the Nostromo on is called the Narcissus.

Picture #4!

5. Finally, in Conrad’s Lord Jim, a novel surrounded the character of Jim, a cowardly man who abandoned the very passengers he was entrusted to protect; the story starts of with the exploits of a ship called the Patna. In the novelizations of Alien 3, the ship Bishop II travels to Fiorina 161 on is referred to as the Patna.

Picture #5!

Upon starting work on this project, I considered contacting the people who made the decision to include allusions to Joseph Conrad’s works in the first place -- Fox. I e-mailed the bigwigs over at “Fox Movies,” but, sadly, they never responded to me. Of course, I didn’t at all expect any of the lackeys over at Fox to have a clue as to what I was trying to discover.

> From: ::GenoDice::
> To: foxmovies@fox.com
> Subject: A Question Relating to the Alien Films
> Date: Sun, 1 Feb 2004 14:26 - G.M.T.
>
> Hello,
>
> Searching through FOX's list of e-mail addresses, I found this one to be most suitable for my inquiry.
> If it is not the most suitable, I would be happy to be redirected.
>
> With the AvP movie set to come out on August 6th, many people are returning to the original Alien and
> Predator films, and the website I work for--Planet AvP.com--though its purpose is to focus on the series'
> games, has been posting information related to the movies.
>
> I am currently writing an article about literary and film allusions that are hidden throughout the Alien films,
> and I learned that many of the names of ships and locations from Joseph Conrad novels, such as Heart of
> Darkness, are used in the Alien films.
>
> I already know what exactly is used, but not why. Is it possible that you could inform me as to why exactly
> the creators of the Alien films alluded to Joseph Conrad's works, or redirect me to someone who does know the answer/s?
>
> Many thanks for your time!
>
> Daniel DeMarzio
> Staff Writer, www.planetavp.com

To be frank, the only people who know for sure are the folks who actually worked on the Alien films firsthand. I decided to search for the man who started it all; someone who set a trend in using the names of Conrad’s various ships and locales in the movies. That filmmaker was none other than Ridley Scott.

Hopelessly, I searched for any sort of contact info for the man. That was a quest in vain, though, as all the fan sites were very clear in the fact that they were not affiliated with Mr. Scott, and thus had no contact info. I found one professional Web site that claimed to be capable of contacting any celebrity anywhere (for a $15.00 price, of course), but I was skeptical as to whether or not they could actually get me through to him.

“Nope,” I thought to myself. “I’m in this alone.” I then knew I would only have one object; unreliable, crude, and primal as it was, to rely upon: my own brain.

Thankfully, I had just finished reading Heart of Darkness and had The Secret Sharer within my possession -- novels that perhaps could give me some insight into Joseph Conrad and why the producers of Alien found his ideals so appealing. My AP English IV literature book, Adventures in English Literature, was quite keen to give an overview into Conrad and his works. The summary provided on the Pole-turned-Briton was brief, but still had some significant things to say in regards to the man’s philosophies, life experiences, struggles, and style.

Truly, in order to fully understand the Alien films, in order to come just slightly close to comprehending the oft-pondered xenomorph creature; if we want to even just barely skip across the surface of these movies, we must understand Joseph Conrad’s various novels and, more importantly, what their themes are.

This, of course, all follows the assumption, recklessly so, that the producers of the Alien films did not just toss in references to Conrad’s works because they wanted to pay tribute to him, or because they were big fans. This goes under the presumption that the filmmakers found connections in their movies to Conrad’s novels. That, or the works were inspirations; meaning Joseph Conrad’s works were a developmental factor in the films.

Once again, for any of the following to hold any credibility whatsoever, the allusions to Conrad’s works must be more than mere “Easter eggs.”

So, I already explained what of Conrad’s works are included in the Alien series, but to truly examine the movies, it’s necessary to ask: why? There’s no easy answer. I tried to contact Fox and the creators to find that out; I searched for an easy way out, but there was none. Besides, merely being told the nature of mysteries diminishes the fun in finding it out for yourself.

I hope the only reason you, the reader, are still perusing this (overlong) essay is because you alone could not find all the solutions. Don’t be fooled, though. I offer explanations, but that doesn’t mean they are tried-and-true facts.

So, with that being said, let’s analyze!

To be continued...

By ::GenoDice::
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